Trióna Sweeney’s work draws on the concept of non-place, of the ‘in between’.

Observing landscapes and features from several different places, she recrafts, recasts, and reimagines them through the drawing and painting process.

The gestural compositions depict a journey. They nod towards a place, no place, anyplace; to familiar yet ambiguous and at times unsettling places. The loci of such (non)places are never specified. Rather, these are interstitial landscapes marked by human intervention. They are mundane but comfortably familiar, spaces where the human meets the natural world. These places are unpopulated, but are humanised by a structure or other feature that suggests habitation.